Although cognitive psychology and neuroscience have usurped the influential position once held by psychoanalysis, this volume seeks to reclaim the value of the unconscious as a methodological tool for the study of ancient texts by transforming our understanding of what it means, how it operates, and how it relates to textual hermeneutics.

Considering the absence of any ancient systematic approach to the reading of the novel, this paper turns to ancient dream hermeneutics as a valuable field of reference that can provide the theoretical framework for studying the ancient novel within its own cultural context. In introducing dream interpretation as one of the ancient novel's creative sources, this essay focuses on Apuleius' Metamorphoses. It explores the dream logic in Apuleius' novel by turning to such authorities as Heraclitus, Plato, Cicero, Artemidorus, and Macrobius, (...) whose characterization of the phenomenon of dreaming sheds light on specific narratological trtaits of the Metamorphoses. It argues that the lower dream category, the insomnium , provides a notion of textuality that can clarify the traditional status of the Metamorphoses as a marginal work of art. In contrast to divinely sent symbolic dreams, it is primarily the insomnium—conceived as a by-product of the lower functions of the soul—that lends psychological force to Apuleius' fiction. (shrink)

Resumo: Nossa intenção, neste artigo, é apresentar uma leitura da narrativa hesiódica da criação de Pandora, a primeira mulher, analisando sob quais aspectos aparecem, na poesia arcaica grega, os traços míticos relacionados ao feminino que Simone de Beauvoir mapeia na segunda e na terceira parte do primeiro volume de O Segundo Sexo, intituladas História e Os Mitos. O que de próprio à condição feminina ocidental é atribuído à mulher desde Hesíodo e como? A leitura que faremos segue a estratégia do (...) “releasing” (libertação) de autoras feministas, como Vered Kenaan, em Pandora´s Sense. Trata-se de libertar a imagem da primeira mulher da sua conotação negativa e das consequências opressoras que dela decorrem e mostrar como a narrativa grega sobre a criação de Pandora apresenta traços de ambiguidade e indeterminação próprias à condição humana em geral, conforme Beauvoir apresenta em Por uma moral da ambiguidade, traços que a tradição patriarcal revestiu de fantasias e atribuiu exclusivamente à mulher ou responsabilizou-a por eles. Vale ressaltar que não se trata de descobrir, sob o olhar masculino sobre a mulher, uma verdade mais fundamental, uma natureza do feminino. Mas de, compreendendo a construção da condição feminina de subjugo, encontrar na imagem da mulher,potências que nos permitirão transformá-la. (shrink)

In “Todtnauberg,” the poem in which Paul Celan responded to his encounter with Martin Heidegger, the concept of hope becomes central. The paper focuses on the ways in which hope figures in between the poet and the philosopher, showing that their different understanding of the value of hope is indicative of a much deeper disagreement that calls for an investigation. This investigation is neither analytic nor purely conceptual, but requires us to develop a new way of listening to hope’s resonance, (...) one that uncovers the presence of a chasm cutting through the space of language in which this mood becomes meaningful for the poet and the philosopher. (shrink)

This paper seeks to articulate the significance of an intimate connection that exists between faces and images. It argues that the manner in which images face us – a picture's turning toward a viewer – is the primary condition of its meaningfulness. The article explicates the significance of an image's facing through a dialogue with Emmanuel Levinas's philosophical understanding of the human face. The analogy I draw between Levinas's notion of the face and the facing of images runs against predominant (...) readings of Levinas which emphasize the Levinasian ambivalence, not to say hostility, toward the visual, and the clear opposition he makes between the face's infinity and the finite and objectifying essence of images. My aim, however, is to show that there is an interesting sense in which Levinas's reflections on the human face offer, perhaps in spite of Levinas, a crucial prism for approaching pictures: I show that the Levinasian face can be understood in a manner that illuminates a dimension of alterity in pictures, one that remains uncontainable and, as such, questions the responsibility of the interpreter and opens up the ethical depth of the image. As a central case study, I turn to a series of provocative graffiti images, chimeric animal-human faces, which were created by Klone, a Tel Aviv-based street artist. (shrink)

LOCKE'S DISCUSSION OF ORGANISMS AND PERSONS IN "ESSAY" II.XXVI HAS LED GEACH AND OTHERS TO ATTRIBUTE THE THESIS OF RELATIVE IDENTITY TO HIM; THAT X IS NEVER IDENTICAL WITH Y "TOUT COURT" BUT ONLY RELATIVE TO SOME SORTAL PROPERTY F: X IS THE SAME F AS Y. I ARGUE THAT THIS ATTRIBUTION RESTS ON A MISUNDERSTANDING OF LOCKE'S POSITION. LOCKE INDEED HOLDS THAT AN OLD TREE MAY BE THE SAME OAK AS THE SEEDLING FROM WHICH IT GREW, WHEREAS THE PARTICLES (...) COMPOSING THE TREE AND THE SEEDLING ARE DIFFERENT MASSES OF MATTER. BUT HE ALSO HOLDS THAT PLANTS AND MASSES OF MATTER ARE DISTINCT ENTITIES TO START WITH, EVEN IF THEY OCCUPY THE SAME PLACE AT THE SAME TIME. AND SIMILARLY WITH PERSONS AND MEN. THE RESULT IS A COPIOUS ONTOLOGY, BUT THERE IS NO REASON TO THINK THAT LOCKE WOULD OR SHOULD HAVE BEEN BOTHERED BY THAT. (shrink)

This is a list of journal articles and chapters of hooks on locke's philosophy, published in the last fifty years or so. The subjects covered are those treated by locke in the Essay concerning Human Understanding, i.e. metaphysics, theory of knowledge, philosophy of language, philosophy of science, and ethics. The bibliography was produced with the help of a computer, using the INFOL-2 program and RNF text processor. There are 202 distinct items. These are first listed chronologically, then alphabetically; then eight (...) lists of items on special topics, selected from the master list, are given. The special topics are Innate Ideas, Primary and Secondary Qualities, Substance, Personal Identity, language, Essence, Knowledge, and locke and Leibniz. (shrink)

Outlining an original philosophical argument on the place of visuality in Levinas' ethics, Kenaan looks at the concepts of his work and articulates his vision of 'otherness' together with the visual tropes of the human face as symbolic of alterity and transcendence.

Śiḥot maran ha-Mashgiaḥ Mohari Leṿinshṭain, zatsal -- Ḥidushe torato ʻa. Mas. B.ḳ. ṿe-liḳuṭim -- Leḳeṭ mi-maʼamraṿ mi-moreshet Daṿid Heber ṿe-ʻinyene ha-shaʻah.

Locke was a libertarian: he believed in human freedom. To be sure, his conception of freedom was different from that of many philosophers who call themselves libertarians. Some such philosophers maintain that an agent is free only if her action is uncaused; whereas Locke thought that all actions have causes, including the free ones. Some libertarians hold that no action is free unless it proceeds from a volition that is itself free; whereas Locke argued that free volition, as opposed to (...) free action, is an impossibility. On the other hand, Locke agrees with the typical professed libertarian that free actions depend on volitions - or, as he often puts it, that an agent is free only with respect to the actions she wills, to those that are voluntary. And he also refuses to make voluntariness sufficient for freedom, whereby a free action is merely one that is willed. The free agent, Locke insists, must also be able or have been able to do something other than she does or did. Thus both Locke and the libertarian professor require indifference as well as spontaneity for freedom. But Locke’s freedom is not contra-causal; and he denies that it extends to volition. In this paper I want to focus on just this last component of Locke’s view of freedom: that freedom in willing, far from being required for free agency, is not even possible. I call this ‘the thesis of volitional determinism’. Locke presents an argument for this thesis in the Essay, but scholars have never paid much attention to it: I want to examine it. (shrink)

Each volume of this series of companions to major philosophers contains specially commissioned essays by an international team of scholars, together with a substantial bibliography, and will serve as a reference work for students and non-specialists. One aim of the series is to dispel the intimidation such readers often feel when faced with the work of a difficult and challenging thinker. The essays in this volume provide a systematic survey of Locke's philosophy informed by the most recent scholarship. They cover (...) Locke's theory of ideas, his philosophies of body, mind, language, and religion, his theory of knowledge, his ethics, and his political philosophy. There are also chapters on Locke's life and subsequent influence. New readers and non-specialists will find this the most convenient, accessible guide to Locke currently available. (shrink)

This symposium comprises five papers on Locke's theory of sense perception. The authors are John Rogers, Gideon Yaffe, Lex Newman, Tom Lennon, and Martha Bolton. There are also comments on the papers, both individually and as a group, by Vere Chappell. In addition to Locke's view of perception, the papers deal with the nature of Lockean ideas and with the question whether Locke is committed to skepticism regarding the external world. The authors (and the commentator) disagree in their readings of (...) Locke on these issues, but most maintain--and some argue--that he holds a representative theory of perception, and that he is not an external-world skeptic. (shrink)

This paper was first presented at the London Medical Group's Annual Conference entitled Death: the last taboo held in February 1980. Dr Vere comments on the evidence of research done by him and his colleagues on the pain and discomfort suffered by patients who are dying and are in hospital. He contrasts this with the situation in hospices, analyses the differences, and attributes much of the unnecessary pain suffered in hospitals to attitudes of staff, as well as to a reluctance (...) by relatives to allow patients with terminal pain to die at home. He deprecates the tendency in hospitals to separate 'curing' and 'caring' and suggests that sometimes the best help involves 'doing' less, not more. (shrink)

Compatibilism is the doctrine that the doctrine of determinism is logically consistent with the doctrine of libertarianism. Determinism is the doctrine that every being and event is brought about by causes other than itself. Libertarianism is the doctrine that some human actions are free. Was Descartes a compatibilist? There is no doubt that he was a libertarian: his works are full of professions of freedom, human as well as divine. And though he held that God has no cause other than (...) himself, Descartes thought that everything apart from God is externally caused: he was a determinist with respect to the created universe. So it appears, assuming him consistent with himself, that Descartes must have been a compatibilist. And indeed, there are passages in his writings in which he appears explicitly to affirm that he is. Since both Descartes’s libertarianism and his determinism are complex doctrines, however, his view of the relation between them is complex as well. (shrink)

This article offers a philosophical account of a range of urban phenomena that are integral to the visual fabric of the modern city and, at the same time, external to the visual order administered by the city’s rulers. Explaining why the common terms of “graffiti” and “street art” are too narrow for discussing the plurality of the illicit visual forms that populate the city’s space, I coin the alternative term “streetography” and aim at a new understanding of its visual efficacy. (...) This is done by showing that the key for deciphering the streetograph’s unique visuality is its form of embeddedness in the street and, in a corollary manner, the form of visual experience—the kinds of viewing—that the street opens for the urban viewer.Streetographs always operate within the city’s given visual order and as such the question of their efficacy is addressed here in terms of the streetograph’s relationship to that hegemonic visual rule whose basic traits are also clarified. Developing an understanding of this relationship, the article thus addresses the following questions: What kind of resistance can streetographs provide to the kind of optics that governs the modern urban space? Can streetographs evoke an alternative kind of spectatorship that disrupts the sovereign’s imagination? And, more specifically, in an epoch in which streetographs are regularly absorbed into capitalist aesthetics—advertising, cinema, social media—how can they allow us to rethink the possibility of resisting the measure of a global capitalist visual system? (shrink)

The main focus of the book is the presentation of the 'inertial' view of population growth. This view provides a rather simple model for complex population dynamics, and is achieved at the level of the single species without invoking species interactions. An important part of this account is the maternal effect. Investment of mothers in the quality of their daughters makes the rate of reproduction of the current generation depend not only on the current environment, but also on the environment (...) experienced by the previous generation. (shrink)

This paper is concerned with the implications of Husserl's phenomenological reformulation of the problem of error. Following Husserl, I argue that the phenomenon of error should not be understood as the accidental failure of a fully constituted cogito, but that it is itself constitutive of the cogito's formation. I thus show that the phenomenon of error plays a crucial role in our self-understanding as unified subjects of experience. In order to unpack this 'hermeneutical function' of error, I focus on three (...) inter-related notions which are recurrently used by Husserl to refer to the central aspects of error apprehension: explosion (Explosion), replacement (Ersatz), and cancellation (Durchstreichung). My discussion, however, does not remain committed to the Husserlian framework as such. This is not only because Husserl's notion of explosion proves itself untenable, but because the Husserlian paradigm does not make room for a linguistic dimension intrinsic, in my view, to the realization of error. Hence, I proceed by reconstructing the Husserlian terms as tropes of realization, as narratological devices in the 'language game' of error. I argue that these hermeneutical devices are necessary for maintaining what Nietzsche would call the self's 'semblance of unity'. The assumption of one single subject is perhaps unnecessary; perhaps it is just as permissible to assume a multiplicity of subjects, whose interaction and struggle is the basis for our thought and our consciousness in general? (Nietzsche, The Will to Power #490). (shrink)

In Principles I. 53, Descartes states what appears to be an important metaphysical principle: P1: Each substance has one principal property, which constitutes its nature and essence, and to which all its other properties are referred (AT VIIIA 25; CSM I 210).1 Marleen Rozemond calls this Descartes's "Attributes Premise", and it leads directly, as she points out, to Cartesian Dualism, the doctrine that a human mind and a human body, even when they belong to the same human being, are distinct (...) substances (Rozemond forthcoming). (shrink)

t. 1. Vlastʹ kli︠u︡cheĭ -- t. 2. Na vesakh Iova.

This book analyzes recent artistic and activist projects in order to conceptualize the new roles and goals of a critical theory and practice of art and photography. Vered Maimon argues that current artistic and activist practices are no longer concerned with the "politics of representation" and the critique of the spectacle, but with a "politics of rights" and the performative formation of shared yet highly contested public domains. The book thus offers a critical framework in which to rethink the (...) artistic, the activist, and the political under globalization. The primary focus is on the ways contemporary artists and activists examine political citizenship as a paradox where subjects are struggling to acquire rights whose formulation rests on attributes they allegedly don't have; while the universal political validity of these rights presupposes precisely the abstraction of every form of difference, rights for all. The book will be of interest to scholars working in art history, contemporary art, photography theory, visual culture, cultural studies, critical theory, political theory, human rights, and activism. (shrink)

First English-language translation of Lev Shestov's early writings on faith, ancient philosophy and biblical revelation.

Prominent thinkers such as Jurgen Habermas and Michael Sandel are warning that biomedical enhancements will undermine fundamental political values. Yet whether biomedical enhancements will undermine such values depends on how biomedical enhancements will function, how they will be administered and to whom. Since only few enhancements are obtainable, it is difficult to tell whether these predictions are sound. Nevertheless, such warnings are extremely valuable. As a society we must, at the very least, be aware of developments that could have harmful (...) consequences. Indeed, if important values were to be jeopardized, we should take appropriate measures to protect them. This paper focuses on four central values: solidarity, personal responsibility, equality and autonomy. It delineates the conditions under which biomedical enhancements would undermine these values. It also details the circumstances under which these values would be unaffected by enhancements as well as those under which they would be promoted. Specifying these conditions is valuable; it would enable society to prepare appropriate ethical guidelines and policy responses in advance. (shrink)

Do human beings ever act freely, and if so what does freedom mean? Is everything that happens antecedently caused, and if so how is freedom possible? Is it right, even for God, to punish people for things that they cannot help doing? This volume presents the famous seventeenth-century controversy in which Thomas Hobbes and John Bramhall debate these questions and others. The complete texts of their initial contributions to the debate are included, together with selections from their subsequent replies to (...) one another and from other works of Hobbes, in a collection that offers an illuminating commentary on issues still of concern to philosophers today. The volume is completed by a historical and philosophical introduction that explains the context in which the debate took place. (shrink)

This new volume in the successful Oxford Readings in Philosophy series presents a selection of the best recent articles on the main topics in Locke's philosophy. These include: innate ideas, ideas and perception, primary and secondary qualities, free will, substance, personal identity, language, essence, knowledge, and belief. The authors include some of the world's leading Locke scholars, and their essays exemplify the best - and most accessible - recent scholarship on Locke, making the volume essential for students and specialists.

The article examines Levinas’s evolving relationship with Husserl. It shows how the critical dialogue with Husserl and, specifically, the transfiguration of Husserl’s key notion of “intentionality,” grounds the maturation of Levinas’s ethical thinking. It does so by unpacking the manner in which the Levinasian critique of Husserl is tied to a concept of “debt” through which Levinas understands his long-lasting relationship with the founder of phenomenology.

(2) Vol., Classification of Propositional Provability Logics LD Beklemishev Introduction Overview. The idea of an axiomatic approach to the study of ...